In Heavy Rotation (Black Music Month 2016)

When Momma Scribbler, Big Little Brother Scribbler (when he was actually Little Little Brother Scribbler) and I moved to Halley Terrace in Southeast D.C. in the summer of 1988, it took my mother about six months before she broke down and purchased cable for the first time.  One of the channels that my brother and I gravitated toward was BET and among so many awesome aspects to the only channel at the time that was owned by and featured Black people, I remember always looking forward to Black Music Month in June.  You would think that a predominantly Black network couldn't do it up any more for a month dedicated to our musical legacy, but with more throwback and world premiere videos as well as a few specials, they managed to drum up the excitement regardless.  While BET has channeled more of their Black Music Month energy into the BET Awards, I've decided to keep that initial legacy going in my own way and specifically dedicate this month's edition of "In Heavy Rotation" to my fellow brothas and sistas with a mixture of the old and the new.  Flipping one of Ol' Dirty Bastard's opening lines from "Triumph", let's take it back to '89--although none of these albums were made in '89, but you get the point...

Why "Nina" Could Be One of the Biggest Critical and Commercial Failures of All Time

 

Not everyone can be as dope as Denzel Washington was in Spike Lee's Malcolm X (1992); in fact, many people to this day still feel like Washington was cheated out of an Academy Award for his stirringly convincing portrayal.  (Surprise, surprise.)  Angela Bassett rose to new heights with her Oscar-nominated performance as Tina Turner in What's Love Got to Do with It (1993)--not to mention that Laurence Fishburne was so Ike Turner that you had to remind yourself not to hate him in anything else!  Delivering an Oscar-winning performance in Ray (2004), Chris Rock recently drove home this point: "Jamie Foxx was so good in Ray that they went to the hospital and unplugged the real Ray Charles.  It's like, 'We don't need two of these!'"  In these instances, it is evident that casting the right people to play real-life legends can be done.  However, not all biopics are created equal.  Bringing the late, great Notorious B.I.G. to the big screen was met with mixed results in Notorious (2009)  as it seemed to place film co-producer Sean "Puffy" Combs in more of a favorable light while pissing off Lil' Kim and many of her faithful fans for how she was portrayed.  Also see one of the biggest casting failures of all time as Flex Alexander was selected to play Michael Jackson in Man in the Mirror: The Michael Jackson Story (2005)--a film produced for VH1 that did not even feature any of Jackson's songs, but merely mentioned them in passing.