Scribbler's Rave & Favorite Five Bonus Edition: A Tribute to Billy Paul

As if losing Prince on Thursday wasn't hard enough, now one of my favorite soul singers in Philly native Billy Paul has passed away at the age of 81.  For years, I only knew about three songs of his--one of which was his most popular in the 1972 across-the-board smash hit, "Me And Mrs. Jones".  However, around the time that my fascination with everything Philly soul began in 2003, that's when I doubled up and purchased two of his greatest hits albums because 1) many of his full-length albums were either hard to find or out of print and 2) one album had one or two more songs that the other didn't.  Although he had a very unique delivery, his jazzy style on songs like "Ebony Woman", "Love Buddies", "Let's Fall In Love All Over Again" and "There's a Small Hotel" always put me in the mindset of smoky nightclubs, stiff drinks and a grand piano.  Spending the first 13 years of his recording career working with legendary producers Kenny Gamble & Leon Huff, they crafted their sound around what he did best and didn't try to make his music sound too much like the rest of the Philadelphia International Records roster.  That's a huge amount of the reason why I fooled with him so tough because he wasn't like anyone else that they had in their stable of greatness.  So to pay tribute to his legacy, I present an impromptu "Rave & Favorite Five" celebrating Paul's music...

Scribbler's Throwback of the Week: Billy Paul, "Let the Dollar Circulate"

You all will see many posts in the future featuring Mr. Billy Paul, the Philly soul singer known for his classic smash and creeping anthem, "Me & Mrs. Jones".  Taken from his 1975 album, When Love Is New, the late great J Dilla sampled it for Spacek's "Dollar" and so did 9th Wonder in "Dollar Circulate".  However, I first recalled hearing the sample in "Circulate" by Young Jeezy at a local community day celebration where I stopped everything I was doing--and I mean literally stopped putting ketchup and mustard on one of those good ol' burnt cookout hot dogs--to listen attentively.  Being an unofficial Philly soul aficionado, my ears perked up and recognized it as a definite brainchild of one of my biggest musical influences, Gamble & Huff.  After a while, I was less interested in what Jeezy had to say and more interested in finding the original and somehow the instrumental as well.  (I was far less successful in finding the latter...didn't quite have that inside track to Don Cannon to see if he could float me a copy.  Ah well...)